Summary

Zack Snyderreveals theSWATremake movie he wanted to direct , compare the unmade film to his own super - violent300 . release in 2003 , Clark Johnson ’s natural action - thriller starred Colin Farrell , Jeremy Renner , Samuel L. Jackson and Michelle Rodriguez in the high - octane story of an elect constabulary social unit task with transporting a drug bigwig who ’s offer a wages to anyone who can free him from custody . SWATwas bashed by critics , as evidenced by its 48 % fresh rating on Rotten Tomatoes , but caught on with audiences , grossing $ 207 million at the box office .

The PG-13 rating forSWAThelped it put up such good box berth numbers , but the picture show originally could have been an R - value , super - tearing activity film , as Snyder revealed recently while talking about the other project he examine taking on before directingDawn of the Dead . Check out the manager ’s remarks below ( around 29:00 of the clip viaGQ ):

Dawn of the Dead , which is a movie I made with Universal and Scott Stuber . I mean they had had another director that was gon na do the movie . At that time , I was a commercial-grade director . I turn down SWAT . I was on SWAT and I state , " No , I wanna make an R - betray SWAT . I want it to be hardcore . I want it to be like 300 with auto guns . " And they were like , " No , we do n’t need that . " So I said , " Okay , that ’s hunky-dory . " And I cash in one’s chips back to making commercial …

Ben Affleck as Christian drumming his hand on the table while talking to Cynthia Addai-Robinson’s Marybeth in The Accountant 2

Why Snyder Was Lucky To Lose SWAT In Favor Of Dawn Of The Dead

Sony had no ground to be unhappy with the interlingual rendition ofSWATthat was delivered , yield its $ 200 - million - plus box office performance . It indeed vocalise as though Snyder ’s version of the motion-picture show would have been a hard universal gas constant , a move that would have confine the film ’s box office staff prognosis . Snyder could not have literally deliver hisSWATas “ 300 with automobile guns , ” as300did not release until 2007 , but in distinguish his narration , his bending of the accuracy efficaciously transmit the type of action photographic film he had in idea before Sony legislate .

LeavingSWATmay have sent Snyder back to directing commercials , but he was quickly back in the movie game , hooking up with Universal for hisDawn of the Deadremake . One of the bigger decisive successes of his calling , as evidenced by its 76 % fresh evaluation on Rotten Tomatoes , Snyder’sDawngrossed $ 102 million on a budget of $ 26 million . That box office winnings propelled Snyder forward , paving the way for him to release his $ 456 million smash300 , the film that vaulted him to become the master creative force behind the now - defunct DCEU .

SWATis useable to determine on Prime Video .

Keanu Reeves looking over one shoulder as John Wick in Ballerina

The course of Snyder ’s career might indeed have been very different had Sony wanted his R - ratedSWAT . pass on the path he charted beginning withDawn of the Dead , it ’s lucky that Sony baulk at going super - violent withSWAT , freeing Snyder to quest for the projects that defined his calling .

Source : GQ

Josh Hartnett looking shocked in Fight or Flight

Colin Farrell making a dramatic face in a scene from SWAT

Sarah Polley in Dawn of the Dead 2004