Doctor Who
Summary
Doctor Whoseason 14 is ending a streak from Russell T Davies ' original time as showrunner , but that is n’t necessarily something to celebrate . After Chris Chibnall’sDoctor Whoera was defined by partitioning and underwhelming reaction , RTD was tempted back into the TARDIS faithful , his missive clearly to restore the previous magic from whenDoctor Whofirst relaunched in 2005 . As much asDoctor Whoseason 14is rehash the past times , it also signals the dawn of a stain - new era , with a Disney+ distribution deal plug a level-headed budget and a wider audience than ever before as Ncuti Gatwa ’s reign begins .
WhileDoctor Who ’s traditional paries of secrecy stand tall beforehand of time of year 14 ’s premiere , some prominent details have drip into the public domain . Doctor Whoseason 14 ’s episode titleshave been revealed , as well as the directors and writer for each - include the surprise reappearance of former showrunner Steven Moffat penning " Boom . " One of the braggy takeaways come to RTD ’s involvement with the originative side ofDoctor Whoin 2024 , which may give suit for concern as the show ’s next earned run average approach .
After five long time as the showrunner of Doctor Who , Russell T Davies leave the series in 2010 . 14 old age after , his return is motivated by a clear reason .
Doctor Who Season 14 Is The First Time Since 2005 RTD Has Written Over Half A Season
RTD Is Writing Much Of Doctor Who Season 14 By Himself
Doctor Whoseason 14 is only eight episodes long , and Russell T Davies has written a whopping six of those himself . Only Steven Moffat ’s aforementioned " Boom " and " Rogue , " aBridgerton - esque episode by Kate Herron and Briony Redman , will get along without the " by Russell T Davies " tag in the opening credits . That is comparatively unprecedented in modernDoctor Who , with the closest tantamount being season 1 in 2005 .
sequence
Writer
Custom image by Yeider Chacon
Space Babies
Russell T Davies
The Devil ’s Chord
The latest Doctor Who series introduces the Fifteenth Doctor, joined by new companion Ruby Sunday.
Boom
Steven Moffat
73 Yards
Dot & Bubble
rascal
Kate Herron & Briony Redman
The Legend of Ruby Sunday
Empire of demise
RTD wrote eight episodes for the show ’s grown 2000s comeback too . As a caveat , that season was 13 episodes long - much beefier thanDoctor Whoseason 14 . Consequently , Doctor Whoseason 14 is the first clip since season 1 that RTD has write over half of a season by himself , and in percentage terms , is the most he has ever written for a exclusive season . RTD being the brain behind six ofDoctor Whoseason 14 ’s eight episodes boil down to a 75 % percentage of the script compared to 61.5 % inDoctor Whoseason 1 , and that 2nd figure would be even humbled if two - part episode were counted as one .
For the stay on seasons of his original least sandpiper as showrunner , RTD wrote five episodes per 13 - episode season ofDoctor Who , not including Christmas specials . That vogue extended into the Steven Moffat era ofDoctor Who . After take over from RTD , Moffat typically save between five and seven episodes in each 13 - installment season , and some of those were co - publish alongside other scrivener . As such , RTD dominating the writing for time of year 14 is not the norm for modernDoctor Who .
Russell T Davies' Doctor Who Season 1 Written Trend Makes Sense
RTD Keeping Tight Control Of His Project Is Only Logical
Unusual though it may be , Russell T Davies compose three quarter ofDoctor Who ’s new time of year by himself seems coherent . alike to the show ’s replication in 2005 , the upcoming reboot with Ncuti Gatwa and Millie Gibson leadingDoctor Who ’s castis for the most part RTD ’s own imagination , and will likely have an overarching narrative thread in the mold of season 1 ’s Bad Wolf . It make sense to have RTD across everythingand compose a turgid portion of the story himself in society to maintain a body of tone , character , and persistence .
Doctor Whoseason 14 is near a reboot in and of itself , and is being heavy agitate as " time of year 1 " in merchandising . This firebrand reset further explain the want for RTD to keep pixilated control of the creative aspect . This is very much his project , and the continued hereafter ofDoctor Whoas a leading spiritualist franchise depend on its success .
With only eight episodes to play with , the serialized element inDoctor Whoseason 14 will involve to be woven through each instalment . Rather than just sprinkling subtle clues during the first 11 episodes and then dropping a grand reveal in the finis , long - run plot points such as Ruby Sunday ’s parentage , the One Who Waits , and the lagger ’s tantalise plot line of obviate yet another Book of Revelation take to play out across the intact eight - episode run . Again , this justifies the conclusion to have one originative mind conduct the charge .
Why RTD Writing So Much Of Doctor Who Season 14 Is Concerning
Doctor Who Is Better When It’s A Collaborative Effort
One would be forgiven for read RTD ’s name at the bottom of almost everyDoctor Whoseason 14 playscript as a modest carmine flag . Doctor Whois often comfortably as a collaborative effort , with the strongest season from David Tennant , Matt Smith , and Peter Capaldi ’s Doctors calling upon a variety of write talents beyond just the fundamental showrunner . It is also notable thatChris Chibnall - who oversaw easily the most controversial period of modernDoctor Who- also preferred to compose most episodeshimself . Chibnall wrote or co - wrote six of time of year 11 ’s ten installment , seven out of ten for time of year 12 , then all six of the dissatisfactory Flux .
Doctor Whoseems to thrive well when it is fueled by a bevy of different voices . give that six of season 14 ’s episodes are written by the same valet de chambre and another is by Steven Moffat - not exactly a newcomer toDoctor Who - only Kate Herron and Briony Redman ’s " Rogue " is in reality giving a program to novel creative minds . That raises a business concern over whether Ncuti Gatwa ’s era can really deliver on its promise to get something fresh to theDoctor Whotable .
It is also worth take note that , while Russell T Davies is provably a fantastic writer , his honest value toDoctor Whois what he brings as its showrunner . RTD ’s first drive withDoctor Whowas by far the most cohesive earned run average of the modern show in terms of take a vision and sticking to it . Moffat ’s land tenure grew too complex and unmanageable with its Trenzalore and Silence arcs , while Chibnall ’s Timeless Child went down like a Cyberman stand - up routine . As great as he was in the showrunner ’s rump , however , not many ofDoctor Who ’s in effect episodescan be assign to RTD ’s playpen .
" Midnight " and " The End of Time " are among RTD ’s best efforts , while " Love & Monsters " sits on the polar end of the spectrum , but most fall somewhere in the eye - the happy medium between " strong " and " good . " The real standout risky venture of the Ninth and Tenth physician come from other author - usually a sure Steven Moffat . That movement of writing faithfully potent but seldom classicDoctor Whoscripts stir yet another reason for caution as the RTD - heavy time of year 14 approaches .
Doctor Whoseason 14 premieres May 10 on Disney+ and May 11 on iPlayer .
The late Doctor Who serial introduces the Fifteenth Doctor , connect by new companion Ruby Sunday .
