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Summary
The urban dramaJellyfish Ca n’t Swim in the Nightmight show outlandish hair coloration like other anime , but this detail is cleverly incorporated into the characterization . Three of the four hint interchange their natural hair colour to what they are in the show . Not only does this ground the frequently - overlooked visual element , but it also link it into the show ’s overarching theme of reinvent oneself .
While Kano , Mei , and Kiwi look for all the cosmos like any other anime character , Jellyfishhas taken care to show them before and after they change their appearance . hairsbreadth dyestuff , as absurd as it sounds , provides both spectacular character pattern , which any fashionable girl would want , and an understated and in force designed storytelling gimmick .
It ’s a measured and unusual choice that adds more personality to the show . It is also a not - so - subtle poking at the ubiquitous trope of exotic fuzz colour for anime characters .
There ’s more to making manga than just having a originative run and a natural endowment for drawing . These manga will show what it means to be a mangaka .
Jellyfish Can’t Swim in the NightCombines Character And Story With Great Visuals
Changing appearances shows a desire to escape the past
While the four member of JELEE aspect like anaverage shed for an gum anime , it ’s quickly discover three of them changed their hair colors - this even serves as the punchline for a joke at the close of Episode 3 , with Mahiru shocked that Kiwi dye her dark hair bright pink . While it could be read asa sly jab at the industry normalize unrealistic designsfor even the most mundane and true - to - life of mount , it ’s noteworthy that these transformation are a resort element . So , rather than being a curiosity of fictitious character purpose , hair dye is actually a significant motif .
What relieve oneself the hair color so significant is how it clearly bear on to the " before " and " after " of Kano , Mei , and Kiwi . Not only does it map a modification in their fortune , but also their desire to reinvent themselves : Kano ’s blond haircloth and large crownwork are a rebellion against her cunning matinee idol persona ; Mei ’s lengthy flashback exhibit how she prefer sinister hair in admiration of that same persona , while Kiwi ’s brilliant pink hair’s-breadth seems to be a dire try for attention . In other words , it is emblematic of their desire to get off their past circumstances , to dissimilar degrees of success .
JellyfishCan’t Swim in the NightShows The Value of Character Design Beyond Aesthetics
Curiously , Mahiru thus far seems to have escape this shape , even though connect JELEE is her chance to set out making prowess again ; perhaps the plot will also conspire to dye her brown hair . This only again , exemplify the clever wayJellyfishutilizes a design language that is so common it has become inconspicuous in the viewer ’s oculus . While changing hair colors is often theresult of magic trick or science , Jellyfish Ca n’t Swim in the Nightshows how something as simple as character development can be an impetus for variety , even if anime is fill with a regular rainbow of hues .
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Cast
Jellyfish Ca n’t drown in the Night revolve around four unseasoned charwoman in Shibuya who form JELEE , an anon. creative person group . Through their collaboration , an artist , a retired god , a pentad - tuber , and a composer research self - expression and embark on a journey of self - find .
Jellyfish Can’t Swim in the Night revolves around four young women in Shibuya who form JELEE, an anonymous artist group. Through their collaboration, an artist, a retired idol, a V-tuber, and a composer explore self-expression and embark on a journey of self-discovery.
Jellyfish Can’t Swim in the Night revolves around four young women in Shibuya who form JELEE, an anonymous artist group. Through their collaboration, an artist, a retired idol, a V-tuber, and a composer explore self-expression and embark on a journey of self-discovery.
