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Summary
Quentin Tarantino ’s surprising decision tocancel his planned tenth and final film , The Movie Critic , proves that his ego - inflict career point of accumulation is a hindrance , rather than a aid to the theatre director . While highly anticipated , little was fuck aboutThe Movie Critic , beyond a brief sketch of a premise provided by Tarantino . However , while the 61 - class - old ’s various statements on the project have been challenging , his decision to cancel the film highlights problems that extend beyond the issues that might normally sham a movie ’s production .
The Movie Critic ’s cancelation comes , according to a report byDeadline , after Tarantino " just had a change of heart " about the projection . This comply late coverage that indicated the undertaking had been rework to includeBrad Pitt ’s role , Cliff Booth , from Tarantino ’s acclaimedOnce Upon A Time In Hollywoodfeature . However , whileThe Movie Criticseems entirely dead in the piss , there ’s no indication that it has affectedTarantino ’s plans to retire after 10 movies . While this makes sense , given the director was clearly unhappy with how the film was developing , it also proves how flawed the design is .
The Movie Critic’s Development Shows How Much Pressure Is On Quentin Tarantino’s “Final” Movie
collapse the secrecy that often palisade Tarantino undertaking ( hisHateful Eightmovie was infamously nearly canceled follow a book making water ) , the lack of information aroundThe Movie Criticis unsurprising . However , what has emerge about the labor ready it clean-cut that theuncertainty around the plastic film ’s development reflects the pressure Tarantino put himself underto execute his swansong . Early in the film ’s development , for instance , there was no indication that Brad Pitt ’s character would feature , and the decision to retroactively become the project intoaOUATIHsequelevidently did n’t work for Tarantino in hindsight .
The project ’s alter story and direction , from a semi - true story " based on a guy who really lived but was never really famous , and … used to write movie reviews for a smut rag " ( viaDeadline2023 ) to aOUATIHfollow - up , point thatTarantino ’s self - imposed limit is tremendously ratcheting up the force per unit area and expectation around what his last film will be . Were it not for the 10 - movie pattern , Tarantino could avoid fuse the two projects . The fact that , forwards ofThe Movie Critic ’s cancelation , Tarantino felt obligate to cram all his ideas into one film proves that one film is insufficient to fill his storytelling inherent aptitude .
Here ’s the just viewing ordering for Quentin Tarantino ’s ten feature film - length films , from Reservoir Dogs all the style to Once Upon a Time in Hollywood .
Quentin Tarantino’s 10-Movie Rule Is Limiting His Storytelling Ability
in the beginning , Tarantino came up with his 10 - movie limit based on a flawed hypothesis that director ' powers often fade with age . While the formula has always been somewhat elastic , Tarantino has been relatively firm in his commitment to the conception after first raise it as a possibility . As he explained toDeadlineback in 2014 :
“ I do n’t believe you should appease onstage until people are begging you to get off . I like the idea of leaving them wanting a routine more . I do remember orchestrate is a young serviceman ’s plot , and I like the idea of an umbilical electric cord connectedness from my first to my last pic . I ’m not trying to ridicule anyone who thinks differently , but I want to go out while I ’m still hard . … I like that I will leave a 10 - film filmography , and so I ’ve get two more to go after this . "
Not wishing to tarnish a legacy is an admirable objective . However , Tarantino ’s experience withThe Movie Criticsuggests that this discipline might really end up causing more damage than making movies 11 , 12 , and beyond ever could . The knowledge that this task should be his last isarbitrarily create a creatively stifling surround for Tarantino , where the vehemence is on this labor to be perfect . As bear witness by his multiple approach toThe Movie Critic ’s narrative , Tarantinoclearly has more stories to state . leave himself one more picture show to evince his creativity is a otiose limitation on his storytelling potential difference .
Quentin Tarantino Breaking His 10-Movie Rule Is The Best Decision
The fact that trying to fit all his ideas into one final moving picture has essay so unwieldy prove that , despite his previous commitment , Tarantino require to desolate his 10 - motion picture plan . In world , there is no need to combineThe Movie Critic ’s challenging set - up with a potentialOUATIHsequel . Without his prescript ( which has arguably already been break dance , thanks to theKill Billmovies ) , he could pursue both projects without the artificial pressure presently touch his process .
Tarantino Movies In Order
Film Title
Release Date
Reservoir Dogs
October 23 , 1992
Custom image by Debanjana Chowdhury
Pulp Fiction
October 14 , 1994
Jackie Brown
December 25 , 1997
Kill Bill : Volume 1
October 10 , 2003
Kill Bill : Volume 2
April 16 , 2004
Death Proof
April 6 , 2007
Inglourious Basterds
August 21 , 2009
Django Unchained
December 25 , 2012
The Hateful Eight
December 25 , 2015
Once Upon a Time in Hollywood
July 26 , 2019
Tarantino ’s career is littered with exercise of abandoned projects that many fan eventually hope will still see the light of solar day . Alongside more left - field potential releases likeTarantino ’s James Bond movieor recollective - mootedStar Trekfilm , he has variously propose relieve oneself aRambomovie , aMan From U.N.C.L.Ereboot , and anInglorious Basterdsspin - off , as well as many other ideas . The extent ofQuentin Tarantino ’s creative voltage proves that his 10 - movie rule is not just creating an tyrannous surround for his next picture , but is definitively shut the door on other outstanding ideas for no serious reason .
root : Deadline
